Gaga, Glee make billboard history

Lady Gaga's newest song, Born This Way. Photo courtesy of Ladygaga.com.

Lady Gaga's newest song, Born This Way. Photo courtesy of Ladygaga.com.

It has been a big week for two different music entities. Lady Gaga and the cast of Glee both share this week’s spotlight on the Billboard Charts.

Lady Gaga’s new single, Born This Way, released Feb. 11 has made its way to the Billboards number one spot making it officially the one-thousandth song to reach the Billboards charts in history.

The Billboards bases and ranks its hits on the songs selling’s, the amount of airwave playtime and streaming activity data.

Despite the criticism of the song and comparing it to Madonna’s Express Yourself, it is number one on iTunes and is being played over airwaves continuously across the world.

“A lot of people say that it sounds a lot like Madonna’s song, Express Yourself, but I think being inspired by different artists helps Lady Gaga develop her music and the different sounds, and I love Gaga so I love it,” Adriana Contreras, senior international business major said.

The song, Born This Way, talks about being born the way God intended. Gaga mentions different groups that might feel pressure from society and she tells them in her song, “No matter gay, straight, or bi, lesbian, transgendered life. I’m on the right track baby I was born to survive. No matter black, white or beige chola orient made, I’m on the right track, baby I was born to be brave.”

Some fans think that Gaga’s succes is impacted by the timeline she uses to release new music.

“I think she is genius because she’ll hold her new songs until just the right moment until they should be released,” Sheryl Proctor, sophomore broadcasting major, said. “People are so ready for her songs to come out, it’s not surprising she has another number one song.”

In addition to Lady Gaga making her mark on the music industry, FOX’s own Glee has made history beating Elvis Presley’s number one spot as artist with the most songs on the charts Hot 100. This week, the cast of Glee surpasses everyone on that list with the most songs on the Billboards in history with 113 songs.

Some music listeners feel T.V. shows should not earn a place in the Billboards.

“I think that the musicians and performers should be on the Billboards and the T.V. shows like Glee should be somewhere else,” Jessica Wyers, senior broadcasting major, said. “They don’t do any original music and they are beating artists who paved the road and now Glee is beating them.”

Other groups and artists the cast of Glee has beaten on the Billboard charts include Michael Jackson, Aretha Franklin, The Beatles, James Brown and Ray Charles.

“It would be really cool if they made their own songs instead of using other people’s songs,” Chris Brigham, junior music performance major, said. “The fact that they put their personal spin into the songs makes up for it, taking oldies and making them for our generation.”

So far the show has not had any original songs performed by the cast, however a little hint that all that might change was noted in the last episode.

TV, films recognized in Golden Globes

Courtesy of Goldenglobes.org

Courtesy of Goldenglobes.org

Jan. 16 marked another year for the Golden Globes as stars gathered to have the chance to gain the memory of a lifetime for their hard work and dedication to the industry.

Clair Danes won the “Best Performance by an Actress in a Mini-series or Motion Picture made for Television” award for Temple Grandin. West Texas &M hosted a special HBO screening for the movie last year where writers from the movie were able to interact with students on campus. A

Glee won for “Best Television Series-Comedy Or Musical”.

When I watched the Golden Globes and saw that the show won an award I was so excited because I am a avid ‘Gleek’, but when Chris Colfer won for a supporting actor I was thrilled,” Stephanie Williams, senior AD/PR major said.

Williams said she believes the whole cast, but especially Colfer deserved recognition.

“His whole character is a symbol of what Glee stands for and represents the struggle many go through when finding themselves.”

Burlesque staring Christina Aguilera was also up for two nominations for  “Best Original Song- Motion Picture”. The songs were ‘Bound To You’ and ‘You Havent Seen the Last of Me’.

“I’m not surprised ‘You Havent Seen the Last of Me’ won,” Jonas Rios, graduate communication student, said. “It’s a great song lyrically.”

Rios said the entire movie deserved an award because of the songs and the actors.

“I’m glad the movie Burlesque was able to receive some recognition,” Rios said. “The musical acts are the most outstanding part of it all. Definitely one of the best soundtracks to a movie”

“The Social Network” won the award for “Best Motion Picture – Drama”.

“Being able to see how Facebook came about and all the controversy that occurred between the founders and the others involved was really interesting,” Andrea Brown, senior mass communications major, said. “The actors did an amazing job portraying their characters.”

To see the full list winners go to Golden Globe website.

Fan no longer ‘Glee’ful for show, still likes music

The cast of Glee. Courtesy Photo from iTunes.

The cast of Glee. Courtesy Photo from iTunes.

I promised myself that I would never watch an episode of “Glee”. I remember the nights when many of my friends on Facebook updated their status to “Glee Night” or something that related to “Glee.”

I never understood what all the excitement was about until one night I was sitting at home and I heard teenagers singing on the television. To my surprise the group of students were singing a song that almost anyone can recognize, “Bad Romance,” by Lady Gaga.

I hurried to the television and saw those teenagers in crazy outfits. I sat down and kept watching the episode. The drama, the suspense, the action and the mystery kept me wanting more. Later that night I began to watch earlier episodes online.

The first season of “Glee” began with its Pilot in May 2009, but FOX officially air the remaining 21 episodes during the fall lineup.

The show circles a group of students who don’t necessarily fit in at school. They decide to join the Glee Club to improve their status in high school and to hopefully avoid being “slushied” every single day. This is not the case however.

Season one of the show had a lot of plots and unexpected revelations. I was hooked to the show. The season finale of the show was good too. One of the main characters had her baby, while two of the other two main characters finally became a couple. The adviser of the club left his wife for the school’s counselors but at the end she decided she didn’t want a relationship.

I was anxious to see what was going to happen in season two, especially since the show’s villain, Sue Sylvester, played by Jane Lynch, saves the club from being cancelled. I wanted to see what the students at McKinney High were going to do next, besides sing and dance like they did in season one.

The first episode of season two didn’t leave me too excited, but I knew that I had to keep watching because I had a feeling that the show was only going to get better. The second episode was a little better, it was a Britney Spears theme episode. I continued to watch “Glee” for a couple of more episodes. The last episode I watched on live television was number four, “Duets,” after that I stopped watching. A couple of weeks later my friends informed me that the “Rocky Horror Glee Show” wasn’t as good as they thought it was going to be. I went online and watched, I didn’t watch the entire show, however I did catch the ending and I was disappointed. All the hard work the students did, all for nothing, they never performed the show for the school because Mr. Schuster didn’t think it was appropriate, even after he was the one to suggest a remake of the Rocky Horror Picture Show.

Two weeks later I was told to watch the latest episode, I didn’t, I only saw a few clips and stopped. It seems that there is nothing interesting this season.  The only thing that I still appreciate are the songs, well, except Teenage Dream, by Katy Perry. Hopefully something will happen that will make me want to watch the episodes I have skipped and catch up soon. Maybe if I’m bored and have nothing better to do, I’ll watch an episode or two to “entertain” me.

CoCo + TBS = Very Funny

I'm With COCO!

At one time, NBC’s The Tonight Show was the dominant force in late night television.

For over fifty years, millions of viewers watched from their beds as celebrities sat on a couch and chatted with a friendly host from a television stage in Hollywood.

Americans fell asleep to The Tonight Show, and talked about it the next day with friends, classmates or co-workers.

In June of last year, Conan O’Brien, star of Late Night With Conan O’Brien, became the fifth man to host The Tonight Show, succeeding Jay Leno, who’d held the job since 1992. A former Simpsons and Saturday Night Live writer, O’Brien had polished his appeal to college age viewers on Late Night, with the help of self deprecating humor and inventive comedy bits featuring Triumph the Insult Comic Dog, a bear that practiced lots of “self love,” and gimmick episodes like the one filmed in clay animation.

Only a few months into his tenure, Jay Leno and NBC began to have a major case of seller’s remorse. The complicated details would require much more space than I have on this page, and other publications have explained it all before, better than I can. Continue reading

Undercover Boss: CEOs Get In Touch With Reality

PHOTO | COURTESY OF CBS TV

Modern corporate CEOs aren’t the most popular guys in America. While workers face stagnant wages and high unemployment, the Chief Executive Officer is not only guaranteed a fat paycheck, but usually also multi-million dollar bonuses, even if their company is suffering. Given these circumstances, CEOs tend to be the very definition of “out of touch.”

Undercover Boss, a new reality show on CBS, takes a CEO out of his comfort zone and onto the front lines of his company.

Each week, the show follows a different CEO and goes undercover as a new employee in his own company. The other participants are told the camera crew is on hand to film a documentary on entry-level jobs. The result is surprisingly enjoyable and effective.

All the participants seem genuinely changed by the events of the show. The workers share their personal stories of trying to make it on low wages, while the CEO is humbled by their dedication and his own inability to do the same work. The CEO meets good and bad employees. Some are overworked or suffering from poor work environment or personal tragedies.

One early episode featured the head of Hooter’s Restaurant, Coby Brooks. As a male worker, Brooks was not subjected to the same tank top and hot pants outfit as his much younger female coworkers were, but he saw first hand the negative public reaction the Hooter girls deal with, not only from the public but also from a chauvinistic male manager.

Brooks, perhaps a little tone deaf to modern sexual politics, was surprised by the hostile environment created by the manager (who forced his waitresses to participate in degrading food eating contests for his own enjoyment). For the first time, Brooks seemed to question if his restaurant was the type of place he would want his own daughter to work.

At another Hooters location, Brooks was impressed by a female manager who seemed to care about her workers as people first, becoming a surrogate mother to her employees.

Another episode followed David Rife, the owner of White Castle, a fast food chain. Rife found disorganization and low morale, while also realizing that working the drive-thru window was even tougher than it looked.

Fortunately, the worker who trained him for the window was an employee with a heart of gold, straight out of central casting. The worker told Rife he must work long hours in order to provide for his vision-impaired son.

At one of the company’s food processing plants (where the burgers are prepackaged) Rife met a supervisor who seemed to enjoy taking breaks when her employees need her most.

At the end of each episode, the CEO reveals himself to the duped workers, congratulating those who impressed him and rebuking those who disappointed him. The reveal is also used to award those employees who really touched the CEO’s heart, sometimes with cash gifts, scholarships or promotions within the company.

It would be easy to dismiss the show as pure theatrical manipulation. To some degree, it is. Each episode features the good employee who loves his job because it represents the American dream, along with the employee who suffers personal hardship or tragedy.

Featured also is a bad employee who distresses the undercover boss because he/she is rude to customers, hard to work with and generally fails to live up to the corporate code of conduct.

The structured nature of each episode doesn’t mean it is staged, however. The situations never seem contrived or scripted, just carefully selected for maximum impact.

It can be argued however, that the show is thinly veiled public relations. The awards given to the employees with hardships are really very small on the corporate level, much less than a 30 second TV commercial would cost. For only a few thousand dollars (the size of the typical award given on the show), the CEOs buy themselves millions in good PR.

Or maybe it really is just an enjoyable show spotlighting good-hearted corporate bosses. Undercover Boss airs Sunday nights at 8 P.M.

TV Gets Modern

modernfamily

PHOTO | ABC.COM

The days of sitting around the T.V. when the clock strikes seven are long gone.

DVR and Tivo have made sitting down to watch your show, when it comes on, a thing of the past. Now we watch episodes on Hulu or stations’ websites, almost commercial free and on our time. This has created a market that makes it nearly impossible for new shows to thrive in. However, when a gem comes along, you stand up and take notice.

Ladies and gentlemen, I present to you Modern Family.

Modern Family is a new show on ABC this fall. It chronicles three very different families and their everyday lives. The show dovetails off of niche shows like The Office in its faux-documentary style, but brings its own flair with different characters and settings. The Office takes place in one setting, and though it is hilarious for those who work in an office like that, it doesn’t resonate with everyone.

Almost everyone can relate to this show as they know their family or have seen others like the ones featured.

This makes for moments of hilarity that are hard to come by in this watered-down age of comedy shows we live in.

Meet the families

The first is the cradle-robber, which features a husband named Jay, played by Ed O’Neil. O’Neil is best known for his role as Al Bundy from Married with Children and he brings the same anger and sarcasm to this role. He is the older man who married a much younger Latina woman and must try to force a relationship with her younger son.

The second family features Phil and Claire, a regular suburban couple with three young children. Phil likes to think of himself as the cool dad and the man of the house, both of which he constantly proves he is not. His actions constantly get him in hot water with his wife. This family seems to be the most normal of the three and provides a ton of laughs, as they are the most relatable.

The final family consists of two gay men, Mitchell and Cameron, and their baby Lily. This situation brings up some hilarious moments, like in the first episode when they want to take their daughter to baby playtime. Mitchell does not want to look too flamboyant in front of the mothers, so he spends the entire episode stifling his partner Cameron’s colorful nature. They come to find out, the group has another couple of gay men, and the women love their flashy ways.

Critics have raved about this show, and it has begun to create quite the following. It airs on ABC’s Comedy Wednesday at 8 p.m. Some may not deem it worthy of rushing home to catch at its airtime, but it is definitely worthy of a season pass on your Tivo. For those who can’t record it, watch full episodes on ABC.com. The beauty of this show is that it just started, so there’s still time to get caught up on all the hilarity.

Here or… just here!: Flight of the Conchords

hereorthere2

Frank Rodasky
Guest Reviewer

When The Flight of the Conchords, a comedy music duo from New Zealand burst onto the American scene during the summer of 2007, their irreverent, deadpan humor and catchy songs made the pair an instant cult favorite.

Broadcast on HBO, the first season of the series told a fictionalized account of two musicians (Jemaine Clement and Bret McKenzie) trying to make it in New York City, with a little help from their clueless manager, Murray (Rhys Darby) and their one and only fan, the obsessive Mel (Kristen Schaal).

Each episode found Jemaine (not “Jer-maine”) and Bret (sounds like “Brit”) struggling to land a decent music gig, fend off Mel’s advances and convince everyone that New Zealanders are in fact in no way similar to their arch-nemesis Australians, intermingled with hilarious folk/rap/synth pop novelty music.

The second season was released on DVD recently and for anyone who missed the cable broadcast of the episodes, the set is a must have. With all ten episodes and few extras including a “making of” documentary, season two is not the flawless jewel that its predecessor was, but will keep the FOTC fan warm until the next season, if there is one.

The first three episodes are fairly disappointing, suffering from somewhat uninspired songs and uneven pacing. Having many of the supporting characters take on singing duty seems more like an attempt at spreading the screen time instead of offering the best product.

The quality picks up with episode four. “Murray Takes It to the Next Level” finds Jemaine and Bret’s manager graphing his friendship progress with the two. Rhys Darby gets some of his best bits here; being clueless and resolute at the same time.

In “Unnatural Love,” Jemaine realizes with horror that he has spent the night with an Australian woman and features the best song of the season. In “Carol Brown,” he sings of all his past girlfriends (“Mimi would no longer see me, Britney—Britney hit me”) while they berate him in chorus.

In another great episode, “New Zealand Town,” the boys get addicted to coolness inducing hair gel, inspiring the ultra stylistic tune, “Fashion is Danger.”

The rest of the season features Jemaine and Bret doing a benefit show for epileptic dogs, posing as a Simon and Garfunkle tribute band, becoming the stars of a Murray-penned stage musical and seeing their dream of American success finally shattered.

HBO has expressed interest in the series continuing, but Clement and McKenzie have not publicly committed; citing the long preparation time of writing quality scripts, to say nothing of plot appropriate songs. If this is the final Flight of the Conchords, the brilliantly creative duo went out on top.

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